01/03/17
This is a small introduction that we dedicated to Understanding Movies book and to the great Louis Giannetti, a Proffessor of English and Film at Case Western Reserve University in Cleveland. He has written about movies for such scholarly journals as Literature/Film Quarterly, The Western Humanities Review and Film Criticism. He is the author several books in Cinema theory: Godard and Others: Essays on Film Form, Masters of the American Cinema, Flashback: A Brief History of Film and Understanding Movies.
«Even before the turn of the last century, movies began to develop in two major directions: the realistic and the formalistic. In the mid-1890’s, in France, the Luimière brothers delighted audiences with their short movies dealing with everyday ocurrences. Such films as The Arrival of a Train, fascinated viewers precisely because they seemed to captured the flux and spontaneity of events as they were viewed in real life. At about the same time, Georges Méliès was creating a number of fantasy films that emphasized purely imagined events. Such movies as A Trip To The Moon were typical mixtures of whimsical narrative and trick photography…
Realism and formalism are general rather than absolute terms. When used to suggest a tendency toward either polarity, such levels can be helpful, but in the end they are just labels. Few movies are exclusively formalist in style, and fewer yet are completely realist»…
We recommend, that if you are a fan of the cinema, do not miss this great reading, INCORTO.com
Short Films & Future Films, INCORTO.com
Nuestra misión es aportarle herramientas a los creadores de cine de todo el mundo, para que exhiban y distribuyan su trabajo. INCORTO llega a cientos de espectadores y cinéfilos a través de INCORTO Film Festival y el Canal de Cine INCORTO, el cual dona parte de sus ganancias a los cineastas y realizadores.
Nuestra visión está dirigida por completo al cine. Queremos que el cine de autor se posicione con nuevas herramientas, que los cineastas reciban ganancias en respuesta al trabajo realizado y que los cinéfilos tengan un lugar en donde disfruten películas de todo el mundo y que nunca han visto.
Access to INCORTO SA. De CV. is granted for exhibition, distribution and producing purposes only.
Some of the content available through INCORTO may be governed by local, national, and/or international laws and regulations, and your use of such content is solely at your own risk. You agree to abide by all applicable laws and regulations, including intellectual property laws, in connection with your use of INCORTO. In particular, you certify that your use of any part of our content will be limited to noninfringing or fair use under copyright law.
In using the INCORTO site collections, and/or services, you further agree (a) not to violate anyone's rights of privacy (b) not to collect or store personal data about anyone, (c) not to infringe any copyright, trademark, patent, or other proprietary rights of any person, (d) not to transmit or facilitate the transmission of any content available.
INCORTO may modify this agreement from time to time, and your continued use of the collections and/or the site constitutes your acceptance of any and all modifications.
Because the content of the collections comes from around the world and from many different sectors, the collections may contain information that might be deemed offensive, disturbing, pornographic, racist, sexist, bizarre, misleading, fraudulent, or otherwise objectionable. INCORTO guarantee that the content available in the collections is accurate, complete, noninfringing, or legally accessible in your jurisdiction, and you agree that you are solely responsible for abiding by all laws and regulations that may be applicable to the viewing of the content. In addition, the collections are provided to you on an as-is and as-available basis. You agree that your use of the site and the collections is at your sole risk.
By Source Code